"Within the context of ATHE 2017’s focus on the examination of spectacle, the authors held a panel titled “Placing Spectacle: Examining Site-Specific Performance,” sharing their experiences in creating site-specific performance. Afterward, the authors ventured out onto the Las Vegas strip to perform Vessel Project’s Transfix, an “atmospheric” performance examining the art of presence (figs. 1–3). Using this experience and pulling from their creative projects in public parks, subways, vast desert landscapes, storefronts, industrial warehouses, and art museums, the authors here distill some principles for creating site-specific performance."
Article exploring how much work that calls itself site-specific really is. "When this theatre is held up as being site-specific, when Kane or Marlowe are used to tick that box, what room is left for those theatre practitioners who are attempting to forge a more sensitive relationship with their site? I worry that straight theatre is merely reproducing itself, dressing itself in radical trappings and passing itself off as its other; meanwhile those authentically experimenting with site are left struggling in relative silence."
Will smith instagram
Jemele Hill in TED-talk on success and failure
FALL FORWARD - Denzel Washington
Translation: Are your child's talent apparent or need they be stimulated?
Both parents and children are allowed to fail as that is very OK!
Article in the Irish Times about the connection between failure and clowning. “One night, before class, I sit with Toto and ask him a few questions about the art of clowning. For a good part of our conversation, I try to unpack why failure is so integral to it. “Because if you don’t accept your failure, you close the door of play,” he says.”
Diana Athill, Margaret Atwood, Julian Barnes, Anne Enright, Howard Jacobson, Will Self and Lionel Shriver reflect on their own disappointments in life, love and work. “Failure is just another name for much of real life: much of what we set out to accomplish ends in failure, at least in our own eyes. Who set the bar so high that most of our attempts to sail gracefully over it on the viewless wings of Poesy end in an undignified scramble or a nasty fall into the mud? Who told us we had to succeed at any cost?”
Mikhail Baryshnikov‘s speech at a graduation ceremony for dance students. “As young creative artists, and really as human beings, you have to be open to failure," he said. "Failure is a part of learning.... As a very old dancer, I have had many, many opportunities to fail. It happens. Projects collapse, knees blow out, money dries up. But you as artists, and as young people discovering what you care about, you must be generous to that spark inside yourself that made you love dance in the first place."
“With no attempt there can be no failure; with no failure no humiliation.”
A link to fill in the FailSpace ‘Honesty Box’, an online survey that forms part of the Arts and Humanities Research Council (AHRC) project, ‘Cultural Participation: Stories of Success, Histories of Failure’. We believe that it is important to create a safe space to discuss and ultimately learn from failure. As such, the ‘Honesty Box’ survey is fully anonymous - and invites sharing of any thoughts, experiences or observations about failure in a cultural participation project/s that you might not feel able to reveal publicly. If you would like to find out more about this project or survey, contact Lucy at email@example.com.
Ruth Maleczech (January 8, 1939 – September 30, 2013) was an American avant-garde stage actress. She won three Obie Awards for Best Actress in her career, for Hajj (1983), Through the Leaves, (1984) and Lear (1990) and an Obie Award for Design, shared with Julie Archer, for Vanishing Pictures (1980), which she also directed. The video shows her in 2012, one year before she died, reflecting on, Beckett's line FAIL BETTER.
A video of Samuel Beckett's work of which FAIL BETTER is part of.
Translation: To fail is the new to succeed
Provocative but interesting Dutch text pleading to instal an 'institute of fail-ology', as any form of success is based on a much larger form of failure.
Funny and hilarious but interesting overview of some brilliant failures.
The Museum of Failure in Los Angeles is a collection of over 100 failed products and services from some of the world’s best-known companies. Visitors will get a insightful and entertaining glimpse into the risky business of innovation. For every mega-success like the Apple iPhone, VCR and Ford Mustang, there’s a couple of Newtons, Betamaxes and Edsels that crashed and burned before them. This collection is carefully curated by licensed psychologist and innovation researcher Dr. Samuel West, and it hopes to convey that the acceptance of failure is necessary in order for innovation and progress to truly succeed.
The sweetest victory is the one that’s most difficult. The one that requires you to reach down deep inside, to fight with everything you’ve got, to be willing to leave everything out there on the battlefield—without knowing, until that do-or-die moment, if your heroic effort will be enough. Society doesn’t reward defeat, and you won’t find many failures documented in history books.
TEDtalk - Why do people succeed? Is it because they're smart? Or are they just lucky? Neither. Analyst Richard St. John condenses years of interviews into an unmissable 3-minute slideshow on the real secrets of success.
TEDTalk - Elizabeth Gilbert was once an "unpublished diner waitress," devastated by rejection letters. And yet, in the wake of the success of 'Eat, Pray, Love,' she found herself identifying strongly with her former self. With beautiful insight, Gilbert reflects on why success can be as disorienting as failure and offers a simple -- though hard -- way to carry on, regardless of outcomes.
TEDtalk by French philosopher Alain de Botton. He examines our ideas of success and failure -- and questions the assumptions underlying these two judgments. Is success always earned? Is failure? He makes an eloquent, witty case to move beyond snobbery to find true pleasure in our work.
Information about A Restless Art, a book about participatory art with examples from over 15 countries. This page links to a free pdf of the book and to purchase the full paperback version. "Community art is the creation of art as a human right, by professional and non-professional artists, co-operating as equals, for purposes and to standards they set together, and whose processes, products and outcomes cannot be known in advance."
An article exploring the impact of exam stress on teenagers' mental health.
What defines “home?” Is it people, a specific place or the memories made during a certain period of time? These talks offer a thoughtful look at what it means to belong.
Guardian article exploring rejection and failure - "Usually, the connection between rejection and success is kept private. But a public outpouring recently on social media – not only by celebrities but by others using the #ShareYourRejections hashtag – questions why this is so. What is there to fear from rejection? And why do some people seem to cope with it better than others?"
Article about Vital Spark, a new national initiative in England aiming to create more inclusive and diverse performances for children and young people.
A production for children aged 0 – 12 months and their adult created by Caroline Bowditch, performance artist and choreographer with years of experience in working to improve accessibility and inclusivity within the arts.
What is 'Irishness'? And what do you think it looks like? Many have a stereotypical view of this when it comes to mind. However, there is no one way to look Irish, especially in 2018. A raw short video-documentary based on personal stories from 15 different people who are Irish but are often questioned about their identity. It challenges people's prejudice and opens a discussion on how we think about identity.